Notes
10 January 2018
Brief
history of photography
- Boulevard du Temple ; Louis Daguerre; 1838
- First daguerreotype
- First known candid photo with a person
- Camera obscura
- Used to assist artists with their art
- Pinhole camera
- View from the Window at Le Gras; 1826; Nicéphore Niépce
- First permanent photo
- (latent image)
- L'Atelier de l'artistte; 1837; daguerreotype by Daguerre
- Beginning of black and white photography (copper plate)
- Calotypes
- William Fox Talbot and John Herschel (1800-1887)
- Plants from 1841
- Liquid light
- Calotype is direct predecessor to chemical film
- Becomes popular when French government makes the tech public
- Daguerreotypes, calotypes, tintype
- Portraits became popular
- 1860 tintype
- Image became more clear and longer-lasting
- George Eastman 1880s
- Kodak camera in 1888
- Popularized use of rolls of film
- Brownie camera in 1901
- Photography became really popular after this
- Color photography
- First one (with three color method by James Clerk Maxwell) by Thomas Sutton in 1861
- Angouleme in France image; first color image on paper
- Autochrome
- First commercially successful color process
- Lumière brothers
- Kodachrome
- First commercially viable color film
- Early 20th century
- Eadweard Muybridge, Thoroughbred bay mare "Annie G" galloping, human and animal locomotion, plate 626, 1887 (zoetrope)
- Henri Cartier-Bresson, behind the Gare St. Lazare, 1932
- He was a pioneer of photojournalism
- Decisive moment
- Alfred Stieglitz, the terminal, photogravure, 1892
- Photo secessionist
- Above two people brought art into photography
- Industrialization
- August sander, disabled man, 1926; pastry chef, 1928; secretary at a radio station, cologne, 1931
- Tried to capture how German people lived their lives (lots and lots of people); from an anthropological perspective
- Environmental photography
- Changed what photography was thought to be
Postmodernism
- Rene Magritt's painting, pipe
- Robert frank, parade, 1955
- After wwii~1960s start point
- Is a way of thinking more than a style
- Society is influenced by photographs; key tenant of postmodernism
- Cynical view of the fake truth that had been perpetuated by images
- Investigating its effect on our psyches and identities
- Modernism was about objectivity, event-oriented
- Postmodernism is more subjective, situational, and personalized
- Pop art
- Took symbols of mainstream and commercial culture and appropriated them
- Andy Warhol, Roy Lichtenstein, Robert Rauschenberg
- Edward Weston, 1970s
- Maidenform woman
- Selling the subtext of empowerment through the use of the briefcase, coat, executive helicopter; creates a sense of power; challenges the male gaze
- Frank Majore, Blue Martini, 1983
- Uses the style of advertisements; breaks the notion of commercial photography being of lesser value
- Indicating upper middle class status through background and lights
- Frank Majore Bollinger advertisement
- Appropriation
- It's increasingly hard to create anything entirely new when you're being bombarded by images
- Mocking how images are accepted and how people think they can make something new
- Interested in
- Richard prince
- Rephotographed magazine advertisements and resized them and displayed them in museums
- Sherrie Levine
- Pictures taken by Walker Evans
- They became cultural images of the great depression; she is saying that the images belong to the culture now
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